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DRAMATIS PERSONAE:
The Farthing Set
- Lord Charles Eversley – long-time Conservative and member of
various Conservative governments; father of Hugh (deceased) and Lucy; current
owner of Farthing (country house, scene of the murder)
- Lady Margaret Eversley – wife of Lord Charles; staunch
Conservative and reactionary; mover-and-shaker within the Farthing Set
- Sir James Thirkie, Baronet (murder victim) – long-time
Conservative MP and member of House of Lords; loudly anti-Semitic; architect of The
Farthing Peace with Nazi Germany; Minister of Education (with rumors of
either Home Secretary or Foreign Secretary after upcoming elections)
- Mark Normanby – brother-in-law of the Thirkies; Conservative
MP; Foreign Minister; rising star in the Farthing Set (with rumors of either
Chancellor of the Exchequer or Prime Minister after upcoming elections)
- Lady Angela Thirkie (nee Dittany) – wife/widow of Sir James
- Daphne Normanby (nee Dittany) – wife of Mark Normanby; sister
of Angela Thirkie
- Miss Sukie Dorset – poor cousin (and “secretary-companion”) of
Lady Eversley
Caught-in-the-Middle
- Lucy Kahn (nee Eversley); daughter of Lord and Lady Eversley;
wife of David Kahn
- David Kahn (murder suspect) – English-born Jew (son of a
wealthy Jewish banker/businessman); closeted bisexual (during the War, over of Lucy’s late brother Hugh); husband of Lucy
- Jack – Inspector Carmichael’s live-in lover (officially,
Carmichael’s manservant)
The Police
- Inspector Peter Carmichael (Scotland Yard) – called in to
investigate the sensitive, high-profile murder at Farthing; born in Lancashire
(northern England); closeted homosexual
- Sgt. Royce (Scotland Yard) – Carmichael’s driver and
assistant; born in London
- Inspector Yately (Winchester police) – local police authority;
first on the scene of the murder at Farthing
- Chief Inspector Penn-Barkis (Scotland Yard) – Carmichael’s
interfering and politically-motivated supervisor.
DISCUSSION QUESTIONS:
- The novel combines a murder mystery (English country house murder), political intrigue, and alternate history. How successful is the mix?
How well is each aspect of the mix handled?
- The novel is set in 1949 England. How successful is the author at
giving you a “feel for the time period” – for example, English (especially
upper class) culture; the English class system; etc.?
- Chapters alternate between a first person narrative by Lucy Kahn
and a third person narrative from the viewpoint of Inspector Carmichael.
How did this affect your enjoyment of the novel?
- What do you think of the LGBT content? How do you think the
differing social and legal/political opinions about homosexuality affected “gay
life” in England in 1949? What do you think about how the author depicts
the following relationships: David Kahn and Hugh Eversley; Peter Carmichael
and Jack?
- What is your opinion about the novel’s conclusion? What do you
feel about “the devil’s bargain” that Carmichael agreed to? What do you
think about the final scene between Carmichael and Sgt. Royce?
- Did you enjoy FARTHING? Why or why not?
“Still Life With Fascists” Trilogy:
- FARTHING (2006)
- HA’PENNY (2007)
- HALF A CROWN (2008)
With Similar Themes:
- THE SUMMER ISLES, by Ian MacLeod (2005)
- THE PLOT AGAINST AMERICA, by Philip Roth (2004)
- IT CAN’T HAPPEN HERE, by Upton Sinclair (1935)
- REMAINS OF THE DAY (novel by Kazuo Ishiguro, 1993; film, starring Anthony Hopkins and Emma Thompson, 1993)
- RICHARD III (film, starring Ian McKellen, 1995)
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